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From Bavaria to Rome, from Hong Kong to

Space,

MP’s art walks the globe – no borders no trace.

In 2026, she’ll land in Osaka’s glow,

Then maybe the Moon? The stars? Who knows?

She’s the queen of green, of earth, of light,

turning trash to gold, turning dark to bright.

Her shows? A simphony. Her vision? Divine.

The whole world’s her canvas – and she’s

just fine.

The “Tre Salti” stream, with its fleeting beauty, becomes a canvas fon Marina’s (Martina Basilico’s) Bavarian daydreams. Meanwhile, Svaldo’s lens captures the hidden harmonies of this landscape, a subtle counterpoint to the characters’ tangled desires. A world of contrasts, where nature’s rhythms echo the dissonances of human longing.

Il torrente “Tre Salti”, con la sua bellezza fugace, diventa la tela su cui Marina (Martina Basilico) dipinge i suoi sogni ad occhi aperti sulla Baviera. Nel frattempo, l’obiettivo di Svaldo cattura le armonie nascoste di questo paesaggio, un sottile contrappunto ai desideri intricati dei personaggi. Un mondo di contrasti, dove i ritmi della natura fanno eco alle dissonanze del desiderio umano.

Architect Uggiosi’s “flexible” interpretation of regulations echoes a bygon era. The author’s own experience with municipal bureaucracy, having joined Milan’s city administration post-“Mani Pulite”, lends a bittersweet tone. A nostalgic nod to a time of reckoning, and the blurred lines between pragmatism and principle.